Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Dukes Up Presents: Hearts in Harmony
This year's theme, Hearts in Harmony , promises to be an unforgettable evening of live music, spoken word, powerful storytelling, and community.
We're especially honored to feature Dominique "Songbird" Dawkins and Jasmine Le'Shea, two incredible heart transplant recipients whose lives are living testimonies of hope, resilience, and the precious gift of life. Through their inspiring stories and remarkable musical gifts, they'll remind us all of the power of faith, perseverance, and second chances.
We're also incredibly honored to welcome Jermaine Purifory, an American Idol alum and nationally recognized vocalist who has traveled across the country sharing his extraordinary gift of song. His powerful voice and heartfelt performances have inspired audiences everywhere, and we're thrilled to have him join us for this special evening.
Early Bird Tickets are on sale NOW! Take advantage of the discounted pricing while it lasts!
VIP Tables are also available—but don't wait! Every VIP table sold out last year, and we expect them to sell out even faster this year. Once they're gone, they're gone!
Last year's Dukes Up Benefit Concert nearly filled the house, and we fully anticipate a SOLD-OUT event this year. If you've been thinking about attending, now is the time to secure your seats.
Sunday, September 13
5 PM - 8 PM
Barking Legs Theater
Website- www.dukesuplove.com
Come experience an evening of music, inspiration, hope, and heart while supporting the mission of Dukes Up. Gather your family, invite your friends, and join us for a night you'll never forget.
Barking Strings: Jammin’ On the Music of James Taylor
We are hosting our monthly acoustic collaboration every 2nd Monday in the lounge. A rotating bank of local musicians, strings, reeds, keys and percussion will highlight a favorite folk and Americana artist each month. Audience members are encouraged to sing-a-long, play-a-long, or drink-a-long with the music. Send in any suggestions for albums or artists you'd like to see represented in the coming months. This month will feature the music of James Taylor.
Wednesday Jazz: Dexter Bell
Dexter Bell has been one of the anchors of our Wednesday Jazz in the Lounge from the beginning. Third Wednesday is his turf, and he creates a unique and diverse evening every time. Marquis Dotson is almost always on hand on keyboard, Darrell Kelly on drums, along with the dynamic vocals of Karen Collins. Lately there’s even been an element of fashion show runway with our neighbors from Second to None Boutique. And there will always be surprises. It’s an “only at Barking Legs” evening for sure!
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Oops! All Kings
King of Drag S2 Watch Part + All King Drag Show
Oops! All Kings is coming to Barking Legs on September 20th! Bring your ones and get ready to party with us as we stream the premiere of King of Drag Season 2, followed by an all Drag King show starring some of your favorite local performers.
Admission: $15
Doors: 8:00pm
Watch Party: 9:00pm
Drag Show: 10:00pm
Sunday, September 20th
Barking Legs Theater
1307 Dodds Ave
Wednesday Jazz: Eric Vaughn Trio
We're delighted to bring back pianist Eric Vaughn. Eric is high energy, whether playing the piano or singing, and the evening should be serious fun. His band features bassist Spencer Blake and drummer Matt Turnure. Eric has bounced back remarkably quickly from his hip replacement, and he can’t wait to play for us. We hope o have this show on the main stage, so please get your tickets in advance.
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
Wednesday Jazz Special: Josh Couts Quintet
We are really excited to bring this Huntsville-based guitarist for his first appearance at Barking Legs. Give him a listen here!
Josh Couts is a versatile jazz guitarist with a strong foundation in bebop and hard bop as well South American classical guitar. That foundation combined with his unique composition style and ever broadening approach to improvisation makes Josh’s music seem familiar yet new.
Josh’s latest album The General Dance was released in 2025. It features original compositions in varying styles that highlight Josh’s broad musical influences from classic and modern jazz to Brazilian music. The album features a quintet comprised of Gary Wheat, Choko Aiken, Nick Walker, and CJ Brown. Josh's other releases as a leader include All Things Green (2022) and Time Marching On (2018). The 2022 release All Things Green features bassist Curtis Lundy, pianist Louis Heriveaux, and drummer Terreon Gully.
In addition to a formal education in music, including a Masters degree from Longy School of Music of Bard College, Josh has gained a wealth of knowledge and understanding of performing by being on the bandstand with jazz greats such as Bobby Watson, Curtis Lundy, and Vincent Chancey.
In addition to composing, performing, and recording, he currently teaches guitar and jazz combos at University of Alabama in Huntsville and Alabama School of Fine Arts in Birmingham.
New Threads: Spit in Your Face New Works Staged Reading
Spit in Your Face
When Tom Leary, Artistic Director of the San Francisco People’s Theatre, commits to making his company more inclusive, he hires the brilliant, and controversial, Mexican director Fernando Calderón to devise a “groundbreaking” new production guaranteed to shake audiences out of their seats.
Enter Liliana Tzintzún, a young Mexican American costume intern suddenly thrust into the role of assistant to the director, and into the center of a creative process brimming with ambition, ego, good intentions, and explosive questions.
Witty, provocative, and unflinchingly honest, Spit in Your Face asks: Who gets to tell whose story and at what cost?
Liminal Lounge: A Listening Experience
Liminal lounge is an ambient listening experience featuring live music from Digyphus alongside a curated collection of footage exploring Chattanooga’s overlooked liminal spaces. An invitation to pause, observe, and drift.
Beneath These Stones: Voices from Pleasant Garden Cemetery
Beneath These Stones: Voices from Pleasant Garden Cemetery
Since 1891, Pleasant Garden Cemetery has been the final resting place of generations of Chattanooga’s African American community—people whose lives helped shape our city. Beneath These Stones: Voices from Pleasant Garden Cemetery brings their stories to life through original poetic monologues and portraits, inviting audiences to remember, rediscover, and hear the voices of those who came before us.
The Oz Noy Trio
We are delighted to present a very special Wednesday Jazz Event featuring The Oz Noy Trio with Oz Noy, Dave Weckl, and Brian Charette. Advance word is out, and this is one of our most eagerly anticipated performances in memory. We’ll be on the main stage, of course for what is sure to be a powerful performance by 3 of the most accomplished and creative musicians around.
This performance will be held on the main stage at Barking Legs Theater.
Tickets to this show are not eligible for tickets included with Barking Legs membership packages.
Seed Theatre Benefit Show
River Abrasax’s
Seed Theatre Benefit Show
Get ready for an unforgettable night where entertainment meets impact! River Abrasax Presents the Seed Theatre Benefit Show, bringing together an incredible lineup of performers for an evening filled with glamour, laughter, and show-stopping performances—all while giving back to a great cause.
Join us November 15th at 7 PM at The Barking Legs Theatre in Chattanooga. Featuring drag performances by Charlotte Mink, Aspen Abrasax, Monica Chromatica, Braxton Sexton, Bentley Abrasax, Jasmine Iman, and your host River Abrasax! A $10 door cover. Also you have a chance to enter a $100 Visa gift card raffle. There’s no better way to spend your Sunday night. Come support, celebrate, and help make an impact because giving back never looked so good!
Seed Theatre's Cat on a Hot Tin Roof
Seed Theatre’s Cat on a Hot Tin Roof
Directed by Mixy Mixon
Desire. Shame. Family. Truth. And all the things we refuse to say out loud.
Seed Theatre presents Tennessee Williams’ Cat on a Hot Tin Roof, directed by Mixy Mixon, a queer theatre artist whose own artistic journey is uniquely connected to Tennessee Williams and his legacy. Mixon was one of the first recipients of the Tennessee Williams Fellowship, funding that helped make their education possible and supported their pursuit of degrees in Theatre and Women’s & Gender Studies. Now, years later, Mixon returns to Williams’ work from the other side of that education—not only as a director and theatre-maker, but as a queer artist examining the work of a queer playwright whose stories were shaped by an era when so much could not safely be said aloud.
That perspective is particularly powerful in Cat on a Hot Tin Roof.
At the center of the play are Brick and Maggie, a marriage fractured by grief, resentment, desire, and silence. As the Pollitt family gathers at their Mississippi estate, questions of inheritance and legacy collide with sexuality, masculinity, repression, and the carefully constructed lies people tell in order to survive.
Under Mixon’s direction, the queerness at the heart of Brick’s story—and his relationship with Skipper—is not relegated to the margins. Instead, this production examines what Williams was able to put on the page, what his time and circumstances forced into subtext, and what contemporary queer artists and audiences can recognize more openly today.
For Mixon, directing Cat on a Hot Tin Roof also represents a remarkable full-circle moment: an artist whose education was made possible, in part, through funding bearing Tennessee Williams’ name now brings their own education, lived experience, and queer perspective to one of his most enduring works.
Sultry, intimate, volatile, and deeply human, Cat on a Hot Tin Roof asks what happens when a family builds its life around things that cannot be spoken—and what it costs to finally tell the truth.
This production also continues Seed Theatre’s commitment to powerful storytelling that refuses to look away from difficult truths. Throughout our season, we choose stories that ask audiences to wrestle with identity, power, belonging, family, injustice, and the complicated ways people fight to be fully themselves. Whether through contemporary queer voices or a classic work viewed through a new lens, Seed believes theatre is at its most powerful when it does more than entertain—it gives us language for the things we have been taught not to say, makes space for stories pushed to the margins, and invites us to see one another more fully.
Wednesday Jazz: Jose Hairston Quartet
Jose Hairston is one of the fine young saxophonists who has come through Alan Wyatt’s program at Lee University. You may have heard Jose sitting in with Austin Petitt or as a standout at our PRO Jam. This will be his Legs debut as a leader, and he’s put together a strong band with Adam Stone on guitar, Tony Tortora on bass and Avery Bookish on drums. Adding to the mix are Jose’s Bakeresque vocals. Don’t miss the rising talents!
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
One Hit Wonders
Join their first performance as they revisit memories with these one of a kind, fun songs plus some of your other favorite 60's and 70's hits.
The One Hit Wonders are Terryl Greene, Tommy Blevins, Michael Welch, David Turner and Ranse Whitworth.
Wednesday Jazz: Alan Wyatt Quartet
An evening with the Alan Wyatt Quartet is two hours spent experiencing some of the finest jazz you’ll hear anywhere. Alan’s exquisite saxophone playing is beautifully complemented by Shawn Perkinson on guitar, David Schwab on bass and Stephen Humphries on drums. The Quartet has made First Wednesdays a Barking Legs institution. NYC level musicianship right on Dodds Avenue.
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
(Not) Monday Nite Big Band (for September): TNBB
Dubbed one of Chattanooga's best kept secrets, the Monday Nite Big Band has been playing big band jazz music in Chattanooga for over 40 years. Founded by pianist and band leader Paul Lohorn, the group features professional musicians from the Chattanooga area.
The NEW Monthly Jazz Jam for Pros
We are expanding to two events to better serve students of jazz, players of differing levels of experience and the community of jazz listeners.
Professional/advanced players will have the opportunity to share their music with a house trio on the last Monday of the month from 7:30-9:30 pm. Audiences will be encouraged for these evenings, and admission charges will be in keeping with Wednesday Jazz! The house trio will rotate, but will be top-notch players from the community. ’s Jam will be hosted by pianist Jim Ward.
Instrumentalists and vocalists are all welcome, and there’s no charge for participants. August’s jam will be hosted by pianist Jim Ward.
Beginners/Intermediate players will gather on the last Sunday of the month from 2-4 pm. Gordan Inman will guide the session. Beyond the participants, these sessions won't be for a listening audience.
Audience Tickets for the PRO JAM- $10 in advance and $12 at the door
Miles to Manhattan: A Night of Cabaret
Fundraiser for “Unreached Things”
Friday August 28th, 2026
From 8pm-10pm
$25/ticket
“I have some exciting news to share! My original play, Unreached Things, has been selected to be produced Off-Broadway this fall as part of Circle Festival at RJ Theatre in New York City.
This story, which explores grief, love, and learning how to move forward when the road feels uncertain, will receive six performances in Manhattan. Even more special, I’ll be taking this journey alongside Chattanooga actress Cortney Warner, who will be performing in the production.
While this opportunity has my name on it, it truly belongs to the community that helped make it possible. Every director, actor, mentor, audience member, friend, family member, and fellow artist who has encouraged me along the way has played a part in this moment. Chattanooga has been my artistic home, and I am proud to carry a story born here to one of the largest theatre hubs in the world.
As exciting as New York is, our goal isn’t simply to take Unreached Things there, it’s to bring it back home. We hope to learn, grow, build new connections, and return to Chattanooga with an even stronger production to share with the community that has invested so much in us.
We’re currently raising funds to help make this opportunity possible. If you’d like to support us, we’d be incredibly grateful. Every donation, no matter the size, helps two Chattanooga artists represent our city and share local storytelling with a wider audience. And if donating isn’t possible, sharing this post is a meaningful way to support the journey as well.
Thank you for believing in local artists, new work, and the power of theatre to bring people together. We are honored by your support and excited to take Chattanooga with us to New York, and then bring that experience back home!”
Wednesday Jazz: Given Graber’s GrabBag
It’s been a real pleasure having Given Graber lead Wednesday Jazz, and it’s hard to believe he last headed the evening in October. Reaching into his GrabBag, he pulled out Jim Crumble on drums, Kash Wright on piano and Gordon Inman on clarinet. Helluva GrabBag!
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
Drag on Dodds!
Come on out to Chattanooga's new open stage drag show! Queen, kings, and everyone in-between will compete for a chance to place in the top 3, voted on by YOU! Bring your ones and get ready to party with us at Barking Legs!
Doors at 8:00 pm. Show at 7:30 pm.
This show is 18+ only.
Wednesday Jazz: Marquis Dotson & Friends
Marquis Dotson will be filling in for Dexter Bell as band leader this week. The performance will be held in the lounge this Wednesday.
Dexter Bell has been one of the anchors of our Wednesday Jazz in the Lounge from the start, and his steadiest "Friend" has been the wonderful Marquis Dotson on keys. This Wednesday, Dexter is handing the reins to Marquis, so the slant will be a bit different. But still a wonderful and diverse evening of jazz and more.
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
The Man on the Middle Cross: A New Musical Staged Reading
What’s the reading about?
The story of the repentant thief in the Bible focuses primarily on the crucifixion at Calvary. The
character’s name is Dathan, although the Biblical accounts do not name either of the
criminals. The Man on the Middle Cross - A New Musical, includes but goes beyond that event
alone, exploring the life of the repentant thief and how he ended up crucified with Jesus and
the other criminal. It is a storyline that weaves Biblical events with imagination, i.e., what might
have happened leading to that gruesome day. However, the story does not end there! The
repentant thief finds himself at the gates of heaven, just as Jesus said, but the angels will not
grant him entry without a coherent explanation.
A brief history of the musical. Yes, very brief.
In 2023, two minutes from a 45-minute sermon inspired an idea for a song. A song was written
and professionally critiqued by multiple reviewers, who stated, “but we all agreed that it would
be PERFECT for a theatre production a la Jesus Christ Superstar.” The long writing process began,
and in the meantime, the song won an award in an international songwriting competition.
Over the past three years, the musical has undergone many changes, including song, scene,
character, and storyline additions and deletions. We have also had many independent reviews
of the story, dialogue, and music/lyrics from dramaturgs, actors, directors, and other interested
parties. The piece has been worked and reworked many times over on paper, and now it's time
to see what really works - on stage. The time is right. We are ready for a staged reading!
You can help shape the musical’s development.
At the end of the reading, you’ll have an opportunity to provide feedback to the creative team
about the musical in a talk-back session. Music, lyrics, dialogue, pacing, character arcs, and
anything else musical theatre are all up for discussion.
Wednesday Jazz: Gordon Inman Quartet
Gordon Inman’s evenings as a bandleader at Wednesday Jazz are always a hit. It’s a treat hearing clarinet at the fore, and Gordon’s talent and charisma shine through. Gordon will be leading a quartet featuring Garry Greever on piano, Given Graber on bass and the inimitable Jim Crumble on drums.
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
Barking Strings: The Music of Gillian Welch & David Rawlings
Starting in August, we are hosting a monthly acoustic collaboration every 2nd Monday in the lounge. A rotating bank of local musicians, strings, reeds, keys and percussion will highlight a favorite folk and Americana artist each month. Audience members are encouraged to sing-a-long, play-a-long, or drink-a-long with the music. Send in any suggestions for albums or artists you'd like to see represented in the coming months.
Destiny Theatre Experience Presents 23/1 by Shawn Whitsell
23/1 a play by Shawn Whitsell
Showtime: 7:30 pm
Doors: 7:00 pm
Tickets: $20
23/1 is a solo play written, directed, and performed by Shawn Whitsell.
23/1 tells the story of an imprisoned man struggling to maintain his sanity while enduring the harsh and inhumane conditions of solitary confinement. The title is a reference to the 23 hours an incarcerated person can legally be kept isolated, versus the one of recreation time they're entitled.
The Nashville Scene named 23/1 “Best Blend of Theater and Activism” in 2019 for its examination of solitary confinement and mass incarceration.
A playwright, actor, producer, and director, Whitsell is also the founder of Destiny Theatre Experience and a longtime community organizer, poet, and teaching artist who facilitates playwriting and spoken word workshops. His work centers on the belief that the arts can transform communities, raise awareness, and spark both social and personal change.
In addition to his theatre work, Whitsell volunteers in prisons through the School for Alternative Learning and Transformation (SALT), supporting incarcerated individuals through arts and education.
Social Media
Instagram:
@shawn_whitsell (personal)
@destinytheatreexperience (theatre)
Teaser Video:
https://www.facebook.com/destinytheatreexperience/videos/1289194301265013/
Learn more here:
Nashville Scene: https://local.nashvillescene.com/publication/best-of-nashville/2019/arts-music-and-culture/best-blend-of-theater-and-activism
Stage Critic: http://stagecritic.com/theater-virtue-listening/
Urban Journal News: https://urbanjournalnews.com/2026/03/12/destiny-theatre-experience-presents-23-1-a-solo-play-by-shawn-whitsell/
Destiny Theatre Experience Presents 23/1 by Shawn Whitsell
23/1 a play by Shawn Whitsell
Showtime: 7:30 pm
Doors: 7:00 pm
Tickets: $20
23/1 is a solo play written, directed, and performed by Shawn Whitsell.
23/1 tells the story of an imprisoned man struggling to maintain his sanity while enduring the harsh and inhumane conditions of solitary confinement. The title is a reference to the 23 hours an incarcerated person can legally be kept isolated, versus the one of recreation time they're entitled.
The Nashville Scene named 23/1 “Best Blend of Theater and Activism” in 2019 for its examination of solitary confinement and mass incarceration.
A playwright, actor, producer, and director, Whitsell is also the founder of Destiny Theatre Experience and a longtime community organizer, poet, and teaching artist who facilitates playwriting and spoken word workshops. His work centers on the belief that the arts can transform communities, raise awareness, and spark both social and personal change.
In addition to his theatre work, Whitsell volunteers in prisons through the School for Alternative Learning and Transformation (SALT), supporting incarcerated individuals through arts and education.
Social Media
Instagram:
@shawn_whitsell (personal)
@destinytheatreexperience (theatre)
Teaser Video:
https://www.facebook.com/destinytheatreexperience/videos/1289194301265013/
Learn more here:
Nashville Scene: https://local.nashvillescene.com/publication/best-of-nashville/2019/arts-music-and-culture/best-blend-of-theater-and-activism
Stage Critic: http://stagecritic.com/theater-virtue-listening/
Urban Journal News: https://urbanjournalnews.com/2026/03/12/destiny-theatre-experience-presents-23-1-a-solo-play-by-shawn-whitsell/
Heightened Scrutiny- 2025 Sundance Film Showing
Fearless civil rights lawyer Chase Strangio battles at the Supreme Court for transgender adolescents’ access to gender-affirming healthcare, confronting not only the legal system but also a media landscape that distorts public perception and threatens the struggle for trans rights. With the dangerous SCOTUS decision upholding the ban on life-saving healthcare, HEIGHTENED SCRUTINY is an urgent call to action against bigotry and injustice.
This exclusive showing is not only an incredible educational piece, it is also a fundraiser to support the work of The Seed Theatre -- the only nonprofit in our area serving Trans and Queer Youth. It is being screened in association with the filmmakers and is currently on a limited screening tour in Tennessee.
Wednesday Jazz: Alan Wyatt Quartet
An evening with the Alan Wyatt Quartet is two hours spent experiencing some of the finest jazz you’ll hear anywhere. Alan’s exquisite saxophone playing is beautifully complemented by Shawn Perkinson on guitar, David Schwab on bass and Stephen Humphries on drums. The Quartet has made First Wednesdays a Barking Legs institution. NYC level musicianship right on Dodds Avenue.
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.
Monday Nite Big Band: Our Favorite Arrangers
I look at this as sort of a Greatest Hits show. In the world of jazz Big Bands, it’s the arranger who turns songs into majestic worlds of sonic richness. The Chattanooga Monday Nite Big Band gives us a monthly chance to experience the arranger’s vision in full glory. Experience it at the Legs!
You’ll hear the music of Tom Kubis, Dave Wolpe, Bob Curnow, the late great Gordon Goodwin, Chris Walden, and of course Sammy Nestico. And more. In full, live power. Featuring our lovely and talented vocalist Ms. Paige Denton. Come on out and support Chattanooga’s favorite location for jazz and Chattanooga’s original big band.
Tennessee Sheiks
We are delighted to have the Tennessee Sheiks return to Barking Legs on Saturday, August 1! The Sheiks cover so many bases, and do it so well, that this is one time the cliche “something for everyone” is altogether justified. Tickets for this extravaganza are just $25 advance or $30 day of show.
Irish Trad: The Gavin Brothers with Don Penzien
The Gavin Brothers are leading exponents of Irish music in the US, carrying forward a family tradition rooted in County Clare, Ireland. They bring to the stage a rare combination of family legacy, virtuosity, and deep knowledge of Ireland’s richest living traditions. Seán Gavin is a traditional Uilleann piper and flute player and one of the most highly regarded Irish musicians of his generation. Michael Gavin is a respected multi-instrumentalist (fiddle, guitar, banjo, bouzouki, mandolin), vocalist, and educator who has become a vital presence in Irish music! Don Penzien is a top-flight performer of Irish traditional music who serves as accompanist (guitar, bodhrán) for numerous well-known Irish performers including Gerry O’Connor, Haley Richardson, Brian Conway and many others.
Wednesday Jazz: Alan Shikoh
An evening with guitarist Alan Shikoh is never a disappointment. Bringing highly developed classical skills to the Great American Songbook, jazz standards, the music of Brazil and more, Alan’s guitar is absolutely enchanting.
Named one of three finalists for Acoustic Guitarist of the Year by Guitarist Magazine.
“Shikoh’s dynamic guitar work oozes class. Mastery of his instrument is glaringly evident. Texture and mood are added seemingly effortlessly, and there is a wonderful fluidity to his playing.”
“Beautiful and nuanced, showcasing incredible poise and technique.”
“Shikoh has matured into an astonishingly inventive guitarist.”
“Spellbinding.”
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
DOORS OPEN at 7:00pm
The NEW Monthly Jazz Jam for Pros
We are expanding to two events to better serve students of jazz, players of differing levels of experience and the community of jazz listeners.
Professional/advanced players will have the opportunity to share their music with a house trio on the last Monday of the month from 7:30-9:30 pm. Audiences will be encouraged for these evenings, and admission charges will be in keeping with Wednesday Jazz! The house trio will rotate, but will be top-notch players from the community. June’s Jam will be hosted by pianist Kash Wright with Given Graber on bass and Jim Crumble on drums.
Instrumentalists and vocalists are all welcome, and there’s no charge for participants.
Beginners/Intermediate players will gather on the last Sunday of the month from 2-4 pm. Gordan Inman will guide the session. Beyond the participants, these sessions won't be for a listening audience.
Audience Tickets for the PRO JAM- $10 in advance and $12 at the door
POSTPONED: Trifecta Presents: The Ultimate Jam Session
THIS EVENT HAS BEEN POSTPONED
Trifecta Entertainment is hosting a night of incredible music at Barking Legs Theater! Leading the night, The Full Effect Band will be jamming on the stage featuring special guests that include The Maestro, Charlie Woods, Erika Roberts, and more! With a mix of Hip Hop, R&B, and everything in between performed by some of the best talent around Chattanooga; we can guarantee a show that you'll never forget!
Tickets are only $10
Doors open at 7 PM
Show starts at 8 PM
Ben Friberg Quintet FRIDAY SHOW
WE’VE ADDED A SECOND SHOW due to unprecedented demand for Wednesday’s performance!
Join us at Barking Legs Theater on FRIDAY, July 24th, for an intimate evening of fresh, contemporary jazz. You’ll experience a dynamic quintet led by guitarist Ben Friberg, alongside Stephen Powers (guitar), Matt Turnure (drums), Tommy Sauter (bass), and Paige Denton (vox). This performance will showcase two sets of all-new music, spanning compositions from Adam Ratner, Jobim, Kurt Rosenwinkel, Thundercat, Elliot Smith, Phish, Frederico Heliodoro, Tony Davis, Aaron Parks, and more. Our Wednesday show is sold out, so grab your tickets for Friday’s show and be part of this fun eve’s journey.
Ben Friberg Quintet Wednesday SOLD OUT Join us FRIDAY!
WEDNESDAY SOLD OUT! Friday show added, and here’s the link.
Join us at Barking Legs Theater on Wednesday, July 22nd, for an intimate evening of fresh, contemporary jazz. With only 45 seats in the Lounge, you’ll experience a dynamic quintet led by guitarist Ben Friberg, alongside Stephen Powers (guitar), Matt Turnure (drums), Tommy Sauter (bass), and Paige Denton (vox). This performance will showcase two sets of all-new music, spanning compositions from Adam Ratner, Jobim, Kurt Rosenwinkel, Thundercat, Elliot Smith, Phish, Frederico Heliodoro, Tony Davis, Aaron Parks, and more. Our last show sold out, so grab your tickets early and be part of this fun eve’s journey.
Boneyard of Brass
Bone Yard of Brass is an internationally performing funky brass band from Huntsville, Alabama. This New Orleans-inspired brass band has one major twist: no trumpets and no saxophones. Just a wall of trombones, an E-flat helicon, and drums. BYOB has the soul of a second-line band and absolutely no interest in behaving like one.
A few things to know before attending a BYOB show. First, we blend funk, rock, jazz, Latin, and pop into something that sounds distinctly our own. Second, we've built everything around low brass and rhythm, creating a sound that can go from smooth and soulful to completely unhinged in a matter of seconds. Finally, the music you'll hear was arranged or written by members of the band. Every tune tells a story drawn from real experiences, wrapped in grooves, second-line energy, and enough brass to make questionable decisions seem reasonable.
So come hear what happens when a bunch of trombones decide to start a party. Bring your friends. Bring your enemies. Bring that one person who insists they don't like brass bands. We have a proven track record of changing minds.
Besides, you're going to need something to talk about at work next week.
Bone Yard of Brass. Original Music. Questionable Life Choices. A Surprisingly Good Time.
Seed Theatre: Winnie the Pooh
Winnie the Pooh
Join Seed Theatre this summer for Winnie the Pooh, adapted by Lindsay Price from the beloved stories of A.A. Milne.
When Christopher Robin disappears, Pooh, Piglet, Eeyore, Rabbit, Owl, Kanga, and Roo embark on a whimsical adventure through the Hundred Acre Wood. Filled with friendship, imagination, and gentle humor, this heartwarming tale reminds us that courage comes in many forms and that life's greatest journeys are often shared with those we love.
This production marks an exciting milestone for Seed Theatre as our first fully youth-centered theatrical production. Featuring a cast of young performers from across the Chattanooga area, Winnie the Pooh reflects our ongoing commitment to creating meaningful artistic opportunities for young people and providing spaces where youth can grow in confidence, creativity, and community.
Perfect for audiences of all ages, this charming production celebrates the wonder of childhood while showcasing the incredible talents of Chattanooga's next generation of artists. Come spend some time in the Hundred Acre Wood and help us celebrate the young voices who are helping shape the future of theatre in our community.
Drag on Dodds!
Come on out to Chattanooga's new open stage drag show! Queen, kings, and everyone in-between will compete for a chance to place in the top 3, voted on by YOU! Bring your ones and get ready to party with us at Barking Legs!
Doors at 7:30 pm. Show at 8.
This show is 18+ only.
Wednesday Jazz: Dexter Bell
Dexter Bell has been one of the anchors of our Wednesday Jazz in the Lounge from the beginning. Third Wednesday is his turf, and he creates a unique and diverse evening every time. Marquis Dotson is almost always on hand on keyboard, Darrell Kelly on drums, along with the dynamic vocals of Karen Collins. Lately there’s even been an element of fashion show runway with our neighbors from Second to None Boutique. And there will always be surprises. It’s an “only at Barking Legs” evening for sure!
Since 2015, Barking Legs Theater has grown our weekly jazz program and will continue to do so with memberships and more, coming soon! Aside from the occasional touring act, we strive to support local artists and foster the talent within Chattanooga and surrounding areas. We appreciate everyone's support over the years and look forward to presenting these jazz events for many years to come.
Weekly artist lineups, ticket prices and details are posted to our website and Facebook regularly. Please check there for the most up to date information.
Tickets - $10 advance, $12 at the door.
Doors open at 7:00pm. Music begins at 7:30pm.